Western Seminary/ Portland

 

CHS 562i /662i Theological Themes in the Arts

2 credit hours

Fall Semester, 2003

R. A. Krupp

Rkrupp@westernseminary.edu

 

Writers and other artists often address theological themes in their work from varying perspectives.  You will explore and evaluate various art forms in this course. 

 

Course Goals

1.         The student will gain a deeper appreciation of the theological content of works of art as they reflect the worldview of the artist.

 

2.         The student will be able to identify elements of the worldview of the artist after experiencing his or her work.

 

3.         The student will be able to evaluated the theological themes and worldview of works of art more precisely and accurately.

 

Texts

            Godawa. Hollywood Worldviews (G)

Hemingway. The Old Man and the Sea

Hugo. Les Miserables

Lewis. The Great Divorce

Meredith and Fitzgerald. Structuring Your Novel (M&F)

Nouwen. The Return of the Prodigal Son

Tolkien. Lord of the Rings. Volume 1

 

Out-of-print Text

Schaeffer. How Should We Then Live

There are usually copies of this book available at Powell=s and there are some used copies available on Amazon.com.

 

 

Assignments and Grading

            Note to ThM students.  Additional work will be required for ThM credit.  ThM students will meet with the instructor after the first class session and the instructor will inquire about student interest before this extra work is assigned.

 


Class Attendance- Because of the interactive nature of the course students must attend each session.  Absences must be discussed with the instructor in advance so makeup assignments can be given and the students can stay on pace with the course. 10% of final grade

 

Class preparation-    Because of the nature of the course students must complete all preparatory assignments because each class. 45% of final grade

 

Final Exam-   There will be an oral final exam. 15% of final grade

 

Individual Assignments: 30% of final grade

Students will choose one of the following projects.  The final product will be about ten pages in length and is due on October 15, 2003 at the beginning of class.  In addition to the written product the student will present their work to the class on October 27 for fifteen minutes.  A one-sheet outline of the presentation will be given to each member of the class that day.

 

1.         Critique of popular Christian culture- A student will choose an aspect of contemporary popular Christian culture to critique.  They may visit a local Christian bookstore, listen for three consecutive hours to a local religious radio or television station (must include more than one show), attend a concert by a popular musician or read (cover to cover) a magazine designed for the popular Christian audience.  Please consult with the instructor as you choose your experience for this assignment. The critique should define the experience and evaluate it theologically and esthetically.   The critique should also estimate the prospects of the art involved in glorifying God and promoting godliness.

 

2.         A student will write an in depth critique of the arguments in Franky Schaeffer=s Sham Pearls for Real Swine (Brentwood, TN: Wolgemuth &  Hyatt, 1990)

 

3          A student will write an essay titled ATheological Issues at Stake in Church Architecture.@ 

 

4.         A student may write a critique of an art show, novel, movie, collection of short stories or poetry.  This work may be from a Christian or non-Christian perspective.  This critique should discuss the worldview of the artist as well as specific theological themes addressed by the work.

 

5.         The student may write an essay on the craft of a writer from a Christian perspective.  The following books may be read, in an overview fashion, to inform this essay.  The essay should reflect on the tension of art as vocation and the artist as tortured creative muse.

Madeleine L'Engle. Walking on Water: Reflections on Faith and Art.

John Gardner. The Art of Fiction

John Gardner. On Becoming a Novelist

Annie Dillard. The Writing Life

Kurshner. Writing on Both Sides of the Brain


Ryken. Culture in Christian Perspective

 

6.         A student may write an essay titled AArt in Cyberspace- potentials and cautions@

 

 

 

Course Schedule

September 17         

Course Syllabus

Lecture- Basic Issues

Introduction to Lord of the Rings

 

September 19

Medieval Cathedrals and Stained Glass

Lord of the Rings

 

September 24

Read Godawa. Hollywood Worldviews (G)

Read Meredith and Fitzgerald. Structuring Your Novel (M&F)

Read Tolkien. Lord of the Rings. Volume 1

 

Evaluate Tolkien by the criteria in M&F, Appendix 1 and by the grid on G, p52

 

 

Watch Fiddler on the Roof and prepare to discuss the following questions

1.         How is God portrayed in this work? Is He personal? Can you talk to Him? Does He speak to humanity? How?

2.         What is the role of tradition in this work?

3.         How are marriage and family portrayed?

4.         How is vocational work portrayed?

5.         What is said about human nature?

6.         What is said about suffering?

7.         What is the balance between the serious and the humorous in life according to the movie?

8.         What gives meaning to life?

9.         What is the role of religion?

10.       Would the work be different if a Christian portraying Christians in the same situation wrote it? If so, how?

11.       What theological issues are addressed in this work?

12.       Evaluate Fiddler on the Roof  by the criteria in M&F, Appendix 1 and by the grid on G, p52


September 26

 

Read Hemingway. The Old Man and the Sea. Read the Encyclopedia Americana article on Ernest Hemingway.

 

1.         How are theological issues such as God, sin, and human nature presented in this book?

2.         What does the book say about the dignity of creation?

3.         What does the book say about the dignity of mankind?

4.         How are issues such as honor, truth, friendship presented?

5.         What does the book say about the purpose of life, fatalism?

6.         How does the book balance optimism and pessimism?

7.         Describe Hemingway=s worldview as well as you can from the book.

8.         Would the book be different if written by a Christian?

9.         Hemingway won the Nobel Prize for literature soon after the publication of this work.  It is considered to be one of his greatest novels.  What has earned it this reputation.

10.       Evaluate Hemingway by the criteria in M&F, Appendix 1 and by the grid on G, p52

 

Watch Woody Allen=s Crimes and Misdemeanors and prepare to discuss the following questions:

1.         What are elements of Allen=s worldview? Can you classify it in Sire=s grid?

2.         Is it possible to have atheistic ethics?

3.         How does Allen use the theme of eyes, light, blindness, eyes of God, eyes as the gateway to the soul, and an eye doctor to develop the plot and message of the movie?

4.         What is the message of the movie?

5.         Does Allen=s character succeed at anything?

6.         Does Allen the author prove anything with this movie?

7.         What is the significance of the final speech of the Jewish philosophy professor?

8.         Evaluate Allen by the criteria in M&F, Appendix 1 and by the grid on G, p52

 

 

October 1

Read Schaeffer. How Should We Then Live.

1.         Is Schaeffer correct in his thoughts on totalitarianism and Christianity? (24-26)

2.         Describe the worldview dominant during the medieval synthesis?

3.         What is the significance of Thomas Aquinas in the history of western civilization?

4.         Describe the differences between Platonic and Aristotelian thought?

5.         What changes fuelled the Renaissance?

6.         Compare and contrast the view of the arts during the Renaissance, the Reformation and the Enlightenment.


7.         Describe basic changes in the dominant worldview in western culture since the Enlightenment.

8.         Do you agree or disagree with Schaeffer analysis of the history of western culture? List points of agreement and disagreement.

 

Come prepared to evaluate one movie and one novel of your choice by the criteria in M&F, Appendix 1 and by the grid on G, p52

 

Read Jonah

Evaluate this book by the criteria in M&F, Appendix 1 and by the grid on G, p52

 

 

October 3

Read Hugo. Les Miserables.

1.         How are the following portrayed in this novel: women, grace and law, religion, human nature, sin, and wealth and poverty?

2.         What makes this a powerful novel?

3.         How is legalism portrayed in the character of Javert?

4.         How is debauchery and evil portrayed in the character of Thenardier?

5.         How is grace portrayed in the character of Jean Valjean

6.         Evaluate Hugo by the criteria in M&F, Appendix 1 and by the grid on G, p52

 

Have any of your answers changed as a result of watching the video of the songs from the musical?

 

Watch the movie Chariots of Fire

Be prepared to discuss the following questions:

1.      What motivated Harold Abrahams to run? What motivated him in life generally?

2.                  What motivated Eric Liddell to run? What motivated him in life generally?

3.                 Evaluate the film by the criteria in M&F, Appendix 1 and by the grid on G, p52

 

 

 

October 8

Read Luke 18:11-32

 

Evaluate this parable by the criteria in M&F, Appendix 1 and by the grid on G, p52

 

Read Nouwen. The Return of the Prodigal Son

1.                  As you read this book make notes concerning the following:

Rembrandt=s interpretation of the parable

Nouwen=s interpretation of the parable

Nouwen=s interpretation of Rembrandt=s painting

Evaluate each of these interpretations.


2.                  What are the strengths and weaknesses of devotional exegesis as practiced in this book? 

3.                  What is the source of the power of the painting?

4.                  Is the painting good art? Why or why not?

 

Read Ruth

Evaluate this book by the criteria in M&F, Appendix 1 and by the grid on G, p52

 

 

October 10

Read Lewis. The Great Divorce.

1.         List the theological points raised by the novel.

2.         Does this novel discuss any points that are not often in traditional theologies?

3.         Do you disagree with any points raised by the novel?

4.         Is the novel successful?

5.         Evaluate Lewis by the criteria in M&F, Appendix 1 and by the grid on G, p52

 

Read the following:  

The C.S. Lewis Readers= Encyclopedia. (Reference 828 L673sw)

Biography 9-65

C.S. Lewis: The Man 246-247

Great Divorce 186-188

 

Lindskoog. Creative Writing. 243-262 (On reserve)

 

David Mills, editor. The Pilgrim Guide: C.S. Lewis and the Art of Witness. p3-40, and one other essay in the volume that interests you. (On reserve)

 

Thomas L. Martin. Editor. Reading the Classics with C. S. Lewis. 32-51 and one other essay that interests you. (On reserve)

 

Watch the movie Shadowlands staring Anthony Hopkins

Evaluate this movie by the criteria in M&F, Appendix 1 and by the grid on G, p52

 

1.         List events in Lewis= life the are reflected in his writing.

2.         Would you have liked to study under Lewis? Why or why not?

3.         What role did friendships have in his life?

4.         How important was writing to his spiritual life?

5.         What were the strengths and weaknesses of Lewis= writing?

 

October 15

Student Reports

 

 

 


October 17

 

Final Exam- the final exam will be an oral group exam covering the following questions: 1.    What are your views concerning the theological basis for the arts?

2.         Why are the arts a power tool for communication?

3.         Should Christians be active in the arts? Why?

4.         What is your evaluation of Godawa and Meredith and Fitzgerald?

5.f        Any of the questions prepared for the various course sessions may be used as part of the final?